The Cutaway Art Fair Program Put Art Centres at the Centre

The Cutaway event space at Barangaroo in Sydney.

News edition for 10 July 2026. Added to Nungya on 22 October 2026 as part of our retrospective news archive. Reporting reflects information available by the edition date.

An art fair is made of many decisions before the first visitor arrives: which work is placed together, who leads a conversation and how music or fashion shares the space.

The Cutaway event space at Barangaroo in Sydney.
Illustrative photo: The Cutaway event space at Barangaroo in Sydney. Photo: Wpcpey, Wikimedia Commons (CC BY-SA 4.0).

Destination NSW’s 19 June program announcement for the National Indigenous Art Fair makes some of those decisions visible. It scheduled the event for 3 to 5 July at The Cutaway, Barangaroo, bringing more than thirty Indigenous art centres and over one hundred artists into the announced program.

The curatorial team included Miah Madden for The Living Room exhibition, Matt Poll for talks, Kaleena Briggs for music and Billie-Jean Hamlet for the fashion parade. Naming the different roles helps explain why an art fair can offer several ways of meeting creative work.

This is a look back at the program announcement, not a final attendance or sales report. Its scale figures describe what the organisers announced ahead of the event.

For readers interested in buying art, the program also points back to participating community-owned art centres. Following those centres after a fair can be more useful than seeing an artist only during a short city visit. Their work continues when a temporary venue closes. A fair provides a point of encounter; the curators, artists and centres give it the depth worth following afterwards.

Read the original report: National Indigenous Art Fair reveals full program for 2026.

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